Upendra’s is not just a film; it’s a visual and thematic spectacle. Known for his boundary-pushing ideas, the director envisioned costumes that aligned with the film’s futuristic theme. “Uppi sir is incredibly hands-on and has a clear vision,” shares Bharath Sagar, one of the key designers, who has worked along with Varshini Janakiram, and Nani.
“He’s a trendsetter, and designing for him meant blending avant-garde elements with functionality. The results were truly rewarding,” he adds. Bharat Sagar revealed that features over 20 meticulously crafted costumes.
“Each costume reflects a narrative. It’s not something you’d wear on a regular basis. From high-neck patterns and capes to unique pant styles and boots, every piece is futuristic.
Even the headgear was treated as jewellery, adorned with stones to enhance the look,” he explains. Bharat Sagar, who transitioned from mechanical engineering to costume design, credits his technical background for enabling him to explore innovative techniques. “I left my engineering job in 2020 to pursue costume design full-time.
My friend Siddhu Moolimani introduced me to the industry with Anup Bhandari’s Rajaratha, and later I worked on films like Vikrant Rona and Made in Bengaluru. I’ve also collaborated with stars like Sudeep, Shivanna, Upendra, and Ganesh as their personal designer,” he recounts. Discussing Upendra’s involvement, Bharat Sagar says, “He envisioned the headgear resembling sculptures and co.
