This is not a paywall You can keep reading for free! At Hyperallergic , we strive to make art more inclusive, so you’ll never hit a paywall when reading our articles. But, as an independent publication, we rely on readers like you to keep our high-quality coverage free and accessible. Please consider joining us as a member to support independent journalism.
Already a member? Sign in here. Hyperallergic is turning 15! ..
. and we’re throwing a party in New York City that you won’t want to miss! Tickets are available now! Get the details. We rely on readers like you to fund our journalism.
If you value our coverage and want to support more of it, consider supporting us as a member. Join Us VIENNA — Hannah Höch’s art was disruptive, irreverent, and, for its time, extremely loud. It presaged, by at least 80 years, present-day discourse over the ubiquity of mass-media imagery in the digital age.
Assembled Worlds at the Belvedere Museum is the first major museum retrospective in Austria dedicated to the iconic German artist. She was a leading figure of the Berlin Dada movement and is credited as one of the inventors of collage and photomontage. A prestigious German award for women artists is named after Höch, whose commentaries on the mass-media typecasting of women — featuring fashionable-looking figures with monstrous heads or smiles, or no heads — delivered a subversive critical blow to bourgeois views on gender and class as single women entered the work force a.
