Wynne and Katya’s Viennese waltz After last week’s show-closing, chef-themed comedy samba, the Welsh opera singer shifts into romantic gear. It’s set in an opera house, stretching out to the classic music. Dapper tailcoat, technical steps, lots of spins.
Wynne’s musicality is serving him well again. Footwork, balance and head position not perfect but gentlemanly and jolly nice. The Blue Danube by Johann Strauss II.
Written by the Austrian composer in 1866, it has cropped up reguarly on screen - memorably in 2001: A Space Odyssey, Titanic and Squid Game. reduces Claudia to hysterics by noting: “By the sound of it, I think Craig’s blinder than I am.” 2, 4, 4, 5 for a total of 15 points.
Bottom so far. Paul says, brilliantly: “It’s not community service. I don’t have to do this, I want to do it.
” Anton says “I get so excited when you dance, it thrills me no end, there was no technique but full of surprises”. Craig says “like a comedy wedding dance, those shunts were terrible, glued to the floor while Karen danced around you but the lifts were good”. Motsi says “your pants are off the hook, you entertained us, keep up the energy”.
Shirley concludes “I’m a little lost for words but pure entertainment”. I fear Craig’s 2 paddle could be coming out..
. Paul and Karen’s salsa This should be..
. interesting. Paul “Merse” Merson struggled with the American smooth last week, relying on football trimmings and novelty moves.
Will a salsa suit h.
