A major flaw of biopics in general, and music biopics specifically, is the tendency to sand down the rough edges of the person being profiled. For the most part, director and co-screenwriter James Mangold — along with co-screenwriter Jay Cocks — do a commendable job showing how the iconic Bob Dylan is not only talented but rather prickly and arrogant — a creative force with the talent and chutzpah to ennoble change. The warts-and-all approach and strong performances across the board elevate this absorbing, but overly long, look at the early professional and personal life of music legend and revered groundbreaker Bob Dylan.
Above all, credit goes to Timothée Chalamet’s impressive achievement in not reducing Dylan to a caricature. Related Articles Another main reason “A Complete Unknown” works is that it hones in on a pivotal four-year span in Dylan’s life. It begins with Dylan’s shuffling arrival in 1961 New York with his beloved guitar and a burning desire to write and sing songs that make a difference.
He meets and befriends folk music pioneers Woody Guthrie (Scoot McNairy) — his hero who lies bedridden in a hospital due to Huntington’s Disease — and Pete Seeger (Edward Norton), a devoted colleague and musician who steers away from the wild side of fame and prefers the confines of tradition over music evolution. It concludes with Dylan evolving into a temperamental but visionary performer who takes the stage at the 1965 Newport Folk Festival — to th.
