One of our most anticipated movies out of the 2024 Toronto International Film Festival was Nightbitch. The reasons were many. For one, it's the latest from Marielle Heller, the helmer of such critically heralded adaptations as the coming-of-age dramedy The Diary of a Teenage Girl, the moving Mr.
Rogers biopic A Beautiful Day in the Neighborhood , and the Academy Award–nominated and absolutely hilarious biographical comedy Can You Ever Forgive Me? Two, Nightbitch is led by Amy Adams, the six-time Oscar–nominated star of dramas like The Master and Doubt, as well as comedies like American Hustle and Vice. Three, based on the Rachel Yoder novel, this project promised to give Adams a role she could really sink her teeth into. As hinted by the title and the film's first trailer, Nightbitch is about a middle-aged woman who feels stifled by her identity as stay-at-home mom.
The ruthless routine of caring for her young son and playing supporting partner to her bacon-bringing husband has her on the brink of breakdown. But then, she sniffs out a newfound freedom as she begins to transform into a dog once the baby's put to bed. There are shades of Jennifer Kent's The Babadook in the premise, so the potential of this maternal dramedy seemed extraordinary.
Heller's established blend of sharp humor and deep empathy combined with Adams' ability to play everything from heart-wrenching drama to gut-busting broad comedy seems a perfect pairing to this material. But unfortunately, the most shocking thing in Nightbitch is how unshocking it ultimately is. Nightbitch howls for the frustrated mothers.
Heller's adapted screenplay gets off to a solid start with a grocery trip that introduces both the mundane and thankless duties of this unnamed mother (Adams, who is referred to as Mother in the credits) and the undercurrent of intellectual frustration boiling beneath her pleasant smile. When a former colleague in chic business attire asks how she likes "getting to be at home" with the..
. Kristy Puchko.
