Eighties rockers invariably mature either like fine wines, intensifying in quality over time, or like stilton, becoming increasingly cheesy and starting to stink. sits resolutely in the former category, as underlined by his decision to sing selections from his former band 's well-endowed catalogue in lower registers appropriate to his present-day vocal range on . Although its predecessor had the Lion’s share of hits, still plays two -era aces with heftier takes on and , emphasising the fact that Danish-born Tramp and guitarist Vito Bratta’s songwriting had way more in common with classic European hard rock than many of their peers.
The effect intensifies as deep-cut highlights like ’s and ’s are reinvigorated with -hued organ and an earthier delivery. Rich Davenport is a music journalist, stand-up comedian and musician, and has been a regular contributor to Classic Rock since 2016 "Inspirational": Steve Cropper is a sublimely understated presence with The Midnight Hour on Friendlytown "The most comprehensive collection of Fanny material to date": The full Fanny and more celebrated on The Reprise Years 1970-1973 "The sound of a man pushing his own boundaries and having an absolute ball": Ian Anderson's solo years, now in a handy box.
