Prog “I’ve always had a gritty, funky side to my music, which comes from a love of anything with a good groove. I was into things like Earth, Wind & Fire, or as prog goes, . They always had a groove kind of thing going on – which I guess was down to – whereas bands like or were more straight rock and a little bit more stiff.
But the band that really did it for me was Weather Report; and within that, it has to be Jaco Pastorius. I was about 15 when I first got into them. And again, it was both the overall sound of the band and the groove that Jaco got with his bass playing.
I was always into that jazz-fusion thing, but there was something about Weather Report that seemed to set them apart from bands like or . To be honest, I couldn’t actually play the whole of Teen Town back then, just the opening bars It was probably down to the fact that they pushed the bass playing more to the fore – but then, with someone like Jaco in the band, why wouldn’t you? I used to travel down to my local Guitar Center where there were always budding young musicians trying to show off. I was just the same – a young kid eager to show my chops – so I’d get in there and play from .
To be honest, I couldn’t actually play the whole thing back then, just the opening bars! But it was good enough for me. Sign up below to get the latest from Prog, plus exclusive special offers, direct to your inbox! is probably my favourite Weather Report piece with Jaco (who left Weather Report in 1982), although I do like , of course – which everyone does. The whole of the album is really good too, and another big favourite of mine.
It was a tragedy what happened to Pastorius. That kind of thing so often seems to go hand in hand with great artists – it really is very sad. It’s why I always say I’m glad I only have a modicum of talent.
It leaves me free to enjoy life with my kids and friends, and spend some time playing golf.” Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989.
He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock. “We weren’t doing electronic music with synthesisers, but with a bank of oscillators we stole from radio stations”: Jean-Michel Jarre and the creation of Oxygène “Prog pop, maxed out and magnified.
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