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Young guitar prodigy Matteo Mancsuo, who has fans in many guitar greats including Steve Vai, Joe Bonamassa, and Dweezil Zappa, has released a brand new song in honor of Paul Gilbert. The aptly named is the first solo release from the Sicilian guitarist since his critically acclaimed debut album, . A tribute to Paul Gilbert’s tasteful shredding style, Gilbert's spirit oozes through the song's licks, but there are plenty of Mancuso's own peer-dazzling tricks on display.

He says he penned the song “some days after receiving this wonderful baritone guitar from Bacci.” Bacci Guitars is based in Tuscany, Italy. The firm's luthier, Bruno Bacci, has previously built guitars for Mark Lettieri and Cory Wong.



Rightfully, Mancuso's made the most of the low end it provides with a Tosin Abasi-inspired chugging section that he executes with a bass-esque right-hand walking technique. That section prefaces a razor-sharp blues-fusion where Mancuso leans further into Gilbert’s influence. All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox! “I was inspired by one of my favorite players, Mr.

Paul Gilbert,” Mancuso said, adding, “You may recognize some of his signature licks in the solo section.” The guitarist silkily blends fusion, rock, flamenco, classical, and blues styles under his fingers – with his finger-picking approach heavily influenced by Jeff Beck, Lenny Breau, and Phil deGruy. Mancuso first came to fame on YouTube and, since releasing , his stock has continued to rise.

Steve Vai said “the evolution of the guitar is firmly secure” in his hands. Al Di Meola said he is “light-years ahead” of his peers, while Joe Bonamassa reflected that he had “not seen anyone reinvent like this since Stanley Jordan.” He has since graced the covers of and magazines, with the former hailing him as “the hottest guitarist on the planet.

” It's not the first time Mancuso has paid tribute to one of his guitar heroes with an original composition. Speaking to late last year, he revealed that his song, , is a tribute to John McLaughlin. “John McLaughlin is a perfect example of mixing technique with beautiful compositions,” he believes.

“It is one of my favorite tunes on the album, because the solo section tells through guitar my story to the blues, starting from the bebop clean stuff of Pat Martino, Wes Montgomery, and George Benson, then moving into the more blues-rock players like Joe Bonamassa and Eric Johnson, with distortion tone.” A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to , , and magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, , in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings.

He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot. “All these pieces of wood gradually become in harmony with each other over years of playing”: David Gilmour explains his preference for vintage guitars, and demos his 1945 Martin D-18 “Thank you for rescuing me from oblivion and giving me the courage and enthusiasm to express myself without fear or limit”: Tributes pour in for “champion of the blues” John Mayall “A vintage-sounding, modern-featured roaring head inspired by the legendary 1967/1968 Plexi Super Lead 100”: Joe Satriani’s custom Eddie Van Halen-flavored 3rd Power amp is now available as a plugin – with real amps on the way.

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