PARIS—A giant empty cage greeted Chanel’s guests at its return to the Grand Palais on Tuesday. Though perhaps not intentionally symbolic, the décor seemed to capture the current state of the house itself: a majestic structure empty of creative direction. With Virginie Viard’s recent departure, Chanel finds itself at a crossroads, as the fashion world eagerly awaits the appointment of a new creative leader.
Meanwhile, in a powerful step toward embracing diversity, Chanel announced Lupita Nyong’o as its newest ambassador. The appointment of the Oscar-winning actor, who is Kenyan Mexican, comes at a pivotal moment for the French fashion house that had faced criticism in the past for its lack of inclusivity. This move follows the widely-lauded appointment of British-Indian Leena Nair as Chanel’s global chief executive in 2022, making her the only woman of color at the helm of a major luxury brand.
The spring collection delivered many familiar elements from Chanel’s vast repertoire—chiffon capes, slit skirts, embroidered transparent shirt dresses, trench coats adorned with multicolored feather prints, aviator jackets with Peter Pan collars, total pink or blue tweed looks, and the iconic little black dress that Chanel herself introduced to the world. Tweed, jersey, faille, transparent embroidery, sequins, fringe, pastel knits, and sparkling platform shoes all made an appearance, forming a showcase of the house’s signatures. Yet despite the breadth and richness of .
