Yamini Krishnamurthy, the diva of Indian classical dance passed away recently. It was difficult to see the body that moved with the grace of a gazelle lying still. Truly an icon, her presence on and off the stage was magical.
She personified Sringara Lahari , her favourite composition by Lingaraj Urs in raga Neelambari, with her exquisite expressions and footwork. Her death marks the end of an era, but her spirit and style will continue to inspire dancers. I was her first student, and during the years (1974 to 1987) that she taught me, Yamini amma, despite a hectic performance schedule, was completely focussed when in class.
She never differentiated between what she danced and what she taught me, giving me everything generously and unconditionally. My favourite memories are when she took me along with her for performances and made me do a tillana as a filler piece while she went in for a costume-change. These artistic outings taught me important lessons, including something as simple as walking briskly.
I have seen her alight from the car and get into the auditorium within seconds. It wasn’t easy to keep pace with her. While watching her from the wings, I would marvel at her uncanny ability to own the stage and her commanding presence at every performance setting.
A young Yamini Krishnamurthy during a performance.| Photo Credit:The Hindu Archives Though my guru revelled in the traditional repertoire, she brought her own to every composition. For instance, she would re-inter.