If ever a year deserved to be summed up in a cheap meme, it was 2024. . Sometimes the social media chuckle gallery hits the nail right on the head, but for all the spot-on accuracy of that assessment, it’s also a year that warranted a search for its better angels; a sifting through the flotsam and jetsam for the fairy dust and joy.
And there halos to be found if you looked hard enough. There was, for instance, a moment back in February when the MCG – traditionally a place that brings the feels during footy in September or the cricket on Boxing Day – seemed to swallow the entire city in a joyous embrace as host to the . It was a tour, and a show, unlike anything Australia or Swift herself had ever seen.
“You’re making me feel like I get to play a show for 96,000 beautiful people in Melbourne tonight,” a visibly stunned which was boosted by several thousand more fans “Taylor-gating” outside the stadium. “This is the biggest show that we have done on this tour, or any tour, ever.” The Swiftian joyfest then moved north to Sydney, where the total turnout was even bigger (320,000 across four shows).
“Sydney, you are making me feel absolutely phenomenal,” she declared. The feeling was clearly mutual and spread far beyond the venues. As she had done on other stops on the Eras tour, — from economic worries (Swiftonomics became a subject worthy of study) to general social malaise.
We spend much of our time worrying about the yoof; especially young women. Well,.