The throughline at might have been the whimsy clothing that went down the runway at numerous presentations. Despite the many differences between garments, designers didn’t hold back regarding their . There was a level of that felt deeply impressive–however, codes that are the usual suspects were equally prevalent.
Milan made way for refreshing designs that didn’t feel stuffy, instead, the offerings were unpretentious and a bit voicy. The latter especially speaks to the ability of designers such as Maximillian Davis’ Ferragamo to shine rather than getting swallowed up by the jam-packed MFW calendar. Ballerina core was revived and given new life at Ferragamo’s Spring/Summer 2025 presentation.
Taking inspiration from American dancer and choreographer Katharine Dunham, Davis showcased an elegant wardrobe fitting for off-duty ballerinas. This collection was perhaps my favorite to come out of MFW–as a former dancer who studied ballet for nearly 10 years, it spoke to me. The textured outerwear in addition to the succinct pairing of deep brown with blush pink was aesthetically pleasing, a deep maroon hue and cherry red were even utilized in compelling ways.
Some of the fitted pieces in the collection such as bodysuits were interesting–and so were the dresses that floated eloquently on model’s forms which delved into refined territory. The Attico’s collection seemed to be the polar opposite of Ferragamo’s. The clothing by Giorgia Tordini and Gilda Ambrosio felt lik.