Italy’s cultural trove has been attracting aesthete and art-curious tourists from across the world since young aristocrats first embarked on their Grand Tours in the 17th century. Rome, Venice and Florence and their respective concentrations of riches have been the particular honeypots swarmed by art enthusiasts and list-tickers alike. The inaugural exhibition at Palazzo Citterio.
Credit: Alamy But Milan, the northern capital mostly known for fashion, design and finance, is staking its claim to being a centre of art – with the culmination of a plan 50 years in the making. The Grande Brera project, a strategy to bring together several separate cultural institutions into a conglomerate like the Uffizi Galleries in Florence, has just been completed. The dream was conceived more than half a century ago, but various factors, many of them political, saw it stagnate.
The early December launch of Palazzo Citterio as a modern art museum was the final piece of the Grande Brera puzzle to fall into place. The opening of Palazzo Citterio as part of the Grande Brera project. Credit: Alamy The Grande Brera comprises Pinacoteca di Brera being the main gallery, the Accademia di Belle Arti di Brera or Brera Academy, the botanical garden Orto Botanico di Brera and the Biblioteca Nazionale Braidense or Braidense National Library, as well as linking the management of the Basilica delle Santa Maria delle Grazie, where Leonardo da Vinci’s delicate The Last Supper is located.
The Pinacoteca di.