The iconic cannage motif, first seen in the 1940s, was inspired by 18th century canework and remains a cornerstone of the maison’s constantly evolving legacy Originally seen on the Napoleon III chairs at Christian Dior’s 1940s fashion soirées, the cannage motif has sashayed through the maison’s history with style and sophistication. This geometric pattern, inspired by 18th century canework, transcends mere design – it epitomises Dior’s knack for transforming the everyday into the exceptional. {"@context":"https://schema.
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jpg"} The My Dior collection features monochrome and dual-tone designs, dazzling with the inclusion of diamonds Throughout the 1960s, Dior’s former creative director, Marc Bohan, wove the essence of caning into his tweed and Op Art fabrics, infusing a touch of classic elegance into his modern designs. The 1980s brought a bold revival from designer Gianfranco Ferré, who captured the essence of caning in striking dresses and coats that celebrated the pattern’s intricate beauty. The motif reached new heights in 1994 with the introduction of the Lady Dior handbag .
Crafted from luxuriously soft lambskin leather and adorned with the ic.