In film editor Paul Barnes’ next Master Class at the Center for Contemporary Arts, three scenes from Arthur Penn’s 1967 film Bonnie and Clyde will be analyzed. Participants will screen each scene and then delve into a detailed analysis of the editing choices made by Dede Allen. Each scene employs a different editing style tailored to its storytelling needs.
The three scenes to be examined are the opening scene where Bonnie and Clyde meet, edited in a conventional yet distinctive manner with unique touches by Allen; the Parker family reunion scene, characterized by its poetic and lyrical style, incorporating jump cuts, slow motion, and innovative sound techniques; and the final ambush and killing of Bonnie and Clyde, renowned for its fast-paced editing montage, one of the most iconic in cinema history. The classes are at 1 p.m.
and 6 p.m. on Tuesday, September 3, and cost $20.
For more information, visit ccasantafe.org . AFRAID Curtis and his family are selected to test a revolutionary new device, a digital assistant called AIA, that takes smart homes to the next level.
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