Scenes from the New Delhi duo Calm and Encore ABJ’s 12-city Lunch Break tour stops in the capital and Dehradun Seedhe Maut and DJ Blunt on stage at their Dehradun stop on the Lunch Break Tour on April 28, 2024. Photo: Rishabh Wala. Make no mistake — this is a moment, an exploding generational moment that India’s parched pop culture landscape has been waiting for years to arrive.
Cinema dictates everything in India, from fashion and hairstyles, to music and choreography. The only redeeming thing is that we have many cinemas, in different languages, each with its own lexicon. But the (SM) moment comes from outside the system.
This is pure angst, pure rebellion, pure and pure . SM is a headless chicken squawking its head off. It’s a sight to behold.
There is blood everywhere but there is also grace in the chicken’s mad dancing. Every once in a while there comes a band that marks a line in the sand. There’s a before and there’s an after.
Like with all cultural phenomena that seek to stomp on the past and present and create their own future in the now, SM elicits strong either/or reactions. You either love them or you hate them. Unlike Indian indie bands in English — with the exception of — who mostly end up singing for friends and family (metal is a different universe), SM has the numbers to show.
With 489,000 followers on Instagram, 589,000 subscribers on YouTube, and 14.6 lakh monthly listeners on Spotify (that’s only one music streaming platform), one thing.