"Is there a more important city traditionally in American culinary history, a more vibrant, diverse, and influential? Probably not,” the late Anthony Bourdain once described the city of New Orleans, home of the Saints, jazz music, and the birthplace of Dwayne Michael Carter II, the rapper we’ve grown to love as Lil Wayne. For about three decades, Weezy F. Baby has been an anchor in hip-hop’s 51-year history, an artist with deep roots in his city’s contributions to music as a whole.
There isn’t another artist alive who could replicate his creativity, quirkiness, thought, or flow patterns, but many have tried. Even those who attempted to keep up found themselves getting outrapped on their own song or outperformed on their own beat. As he said in a Super Bowl interview in 2002: “I been went platinum, just not off records.
” For an artist to be as revered lyrically as he is commercially ( Tha Carter III is among a handful of hip-hop albums to ever move one million units in the first week ), and with the longevity he has, Wayne’s impact across the world can be felt, even when it’s not always acknowledged. Hence why Kendrick Lamar’s announcement as the Super Bowl Halftime Show headliner in New Orleans is less shocking than it is disappointing. Wayne has expressed a desire to perform at the Super Bowl throughout the past year, and it only made sense considering how Jay-Z and Roc Nation have not only uplifted hip-hop but emphasized the importance of regional cultur.