T he National Dance Theatre Company of Jamaica (NDTC) once again captivated audiences with its season of dance, which opened to widespread acclaim and concluded on August 11. Under the inspired leadership of Artistic Director Marlon D Simms, this 62nd season masterfully wove together the rich cultural traditions of the past with innovative performances that resonated with a broad and diverse audience. Simms, in an interview, highlighted the multigenerational approach of this year’s performances, which blended the talents of seasoned artists with emerging voices in dance and music.
“The NDTC continues its evolutionary journey, sensitively guarding the past while boldly shaping the future, all the while remaining true to its roots,” Simms remarked. This delicate balance was evident throughout the season. Among the standout pieces this season was Rex Nettleford’s iconic work Tintinabulum , a gripping narrative that explored the divergent paths of three boys from single-parent homes.
The performance resonated deeply with audiences, drawing them into its powerful storytelling. Also returning with renewed vigour was the beloved Gerrehbenta. Powerful vocals and instruments brought the distinct sound of the Benta to the forefront, delighting both long-time fans and newcomers alike.
This year’s season also marked the introduction of Homecoming , a new initiative that invited Jamaican-born choreographers to contribute to the NDTC’s repertoire. This year’s guest choreograp.