In William Shakespeare’s day, the idea that his daughter Judith would take up the family business was out of the question: the theatre was yet another arena dominated by fathers and brothers and sons who raised their voices in imitation. Read this article for free: Already have an account? To continue reading, please subscribe: * In William Shakespeare’s day, the idea that his daughter Judith would take up the family business was out of the question: the theatre was yet another arena dominated by fathers and brothers and sons who raised their voices in imitation. Read unlimited articles for free today: Already have an account? In William Shakespeare’s day, the idea that his daughter Judith would take up the family business was out of the question: the theatre was yet another arena dominated by fathers and brothers and sons who raised their voices in imitation.
Winnipeg Studio Theatre, presented by Rainbow Stage ● Asper Centre for Theatre and Film, 400 Colony St. ● Opens Thursday, runs to Oct. 5 ● Tickets $34-$40 at Even if Judith were born to be onstage or in the writers’ room or swinging a hammer on the set’s final nail, would she ever get the chance to do so in the public eye? And would she ever get the credit required to become a household name in her own right? These are questions asked and answered in Vancouver playwright Tracey Power’s , a revisionist and resistant musical of vocal suppression and expression chosen as the fall production of the Winnipe.
