T he National Dance Theatre Company of Jamaica (NDTC) once again captivated audiences with its season of dance, which opened to widespread acclaim and concluded on August 11. Under the inspired leadership of Artistic Director Marlon D Simms, this 62nd season masterfully wove together the rich cultural traditions of the past with innovative performances that resonated with a broad and diverse audience. Simms, in an interview, highlighted the multigenerational approach of this year’s performances, which blended the talents of seasoned artists with emerging voices in dance and music.
“The NDTC continues its evolutionary journey, sensitively guarding the past while boldly shaping the future, all the while remaining true to its roots,” Simms remarked. This delicate balance was evident throughout the season. Among the standout pieces this season was Rex Nettleford’s iconic work Tintinabulum , a gripping narrative that explored the divergent paths of three boys from single-parent homes.
The performance resonated deeply with audiences, drawing them into its powerful storytelling. Also returning with renewed vigour was the beloved Gerrehbenta. Powerful vocals and instruments brought the distinct sound of the Benta to the forefront, delighting both long-time fans and newcomers alike.
This year’s season also marked the introduction of Homecoming , a new initiative that invited Jamaican-born choreographers to contribute to the NDTC’s repertoire. This year’s guest choreographer, Garfield Lemonius, electrified the stage with Flight , a high-energy piece that one audience member described as heart-racing. Simms’ latest work Creed offered a fresh narrative on the crucifixion and the dogwood tree, leaving audiences spellbound with its powerful storytelling and innovative use of movement.
The NDTC’s musicians and singers also shone brightly this season, with a stirring suite of South African freedom songs arranged to commemorate 30 years of diplomatic relations between Jamaica and South Africa. Musical Director Dr Kathy Brown explained, “It was the history and a reminder of the march to freedom that I was trying to capture. It was a rallying cry for the people of South Africa to fight and protect their rights.
” Additional highlights of the season included the beautifully crafted Luminosity by Paul Newman and Amaya Gomes, the latter of whom alternated with Shade Thaxter, and Gene Carson’s uplifting solo work Cry of Spirit , performed in tribute to the late Carson by Principal Dancer Keita-Marie Chamberlain Clarke. The season also featured Circa 2K by Orville McFarlane and Asi Somos by Arsenio Andrade Calderon, each adding to the rich tapestry of this year’s offerings. True to its tradition of giving back, the NDTC dedicated this season’s performances to charity.
Proceeds benefited organisations such as the ICAN Foundation, St Catherine High School Alumni, Caribbean Community of Retired Persons, Consie Walters Cancer Care Hospice, and Christ Church. A special performance for children in State care was also held on Sunday, August 4. NDTC continues the mission of preserving Jamaican culture while making a meaningful impact on communities.
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