Over the last several years, I've spent a lot of time testing phone cameras capabilities, and the results are better than you'd think. If you want to get up to speed, you can watch between my and the iPhone 15 Pro. If that isn't enough to convince you, then maybe you'll be interested in .
Or if you want to save some time and just take my word for it, modern phone cameras are very capable cameras. This touches on a really important mindset when it comes to phone photography. You need to take yourself seriously.
Just because you aren't using a mirrorless camera with a bunch of big lenses doesn't mean you aren't fully capable of producing professional images. In fact, one of the greatest weaknesses of phone cameras is also their greatest strength. You lack lens choices, settings choices, and versatility.
This lack of choices restricts your ability to create, but this is when creativity thrives the most. Typically, we find ourselves being the most creative when we have the least amount of resources. This means that if you find yourself learning photography on your phone and walking away with good images, then you'll always take good images, no matter what you're using.
The most important tip in this entire article isn't about settings, composition, or how to shoot. It's to rewire your brain to stop associating your phone with quick and thoughtless photos. One of the biggest differences between someone making images with a phone versus a dedicated camera is how they approach a scene.
A landscape photographer shows up to a sunset and potentially spends hours looking for a composition or waiting for the best light. Typically, people capturing images on their phone walk up, take a quick photo for their memories, and walk away. This difference is what separates amateur from professional, not necessarily the camera, settings, or gear being used.
Thus, it's important that you treat your phone like a camera in the moments you're either trying to improve your photography or capture more meaningful photos. Take your time, slow down, and put thought into the images you're composing. The first setting you want to enable is grid lines.
I personally shoot on an iPhone, and the grid line setting is located in Settings > Camera > Grid. I suspect Android has a very similar setup. Regardless, this is a simple feature that more often than not will help you compose your images by just making sure your horizon lines are straight.
Newer iPhones even have a feature to add a leveler to your interface, which I also recommend using. Furthermore, using this will start to introduce you to composing using the rule of thirds, which is one of the foundational pieces of composition in photography. Not something in the scope of this article, but absolutely something you can learn .
The most important setting is to shoot in raw, especially if you plan to edit your images. Raw is essentially a format that will give you more data to work with and capture more details in your image. The cost is twofold in that raws are meant to be processed or edited in some capacity.
Thus, if you're shooting in raw, you should plan to at least add basic corrections in editing. The files are also going to be large or potentially much larger, which might be an inhibiting factor depending on your phone's storage. A good way to manage these large file sizes is to remember to shoot with intention, take your time, and only take images like you've got one roll of film left.
There are different levels of raw when it comes to phone photography. Apple, for example, has raw, ProRaw, and ProRaw Max. As a baseline, try to shoot in raw, and if you have the space, choose the highest quality, such as ProRaw Max, keeping in mind the very large file sizes.
Lastly consider using a camera app that adds some more professional controls to your images. I used throughout my video and it has features like histograms, ISO control, and the ability to set focus separate from exposure. Regardless of what you use, the best feature of using an app is actually a mental reset.
It will help to shoot with intention, remind you to slow down, and think about the images you're taking. One of the foundational fundamentals of photography is composition. A topic you'll likely spend years learning and not something to be taught in a few sentences in an article.
However, there are a few great tips you can try out, even having zero knowledge of what makes for a good or bad composition. As mentioned before, you can apply basic rule of thirds principles, which is essentially a guide on where to place your subjects within a frame to help balance an image. But I'm going to give you some even easier tips to try.
The next time you are out shooting with intention on your phone, find a subject and try to photograph the same subject five different ways: Any professional or practicing photographer will tell you that the single most important aspect of photography is lighting, regardless of what genre you shoot. Just like in composition, this is something you'll spend years learning, but for the scope of this article, the important thing is recognizing when we typically take our phone photos compared to when professionals take their photos. It all comes back to shooting with intention.
Many of our phone photos are taken during midday on a bright sunny day walk around the city or on a hike in the mountains. These are the times that typically just aren't going to have as pleasing light (depending on the genre of photography). But if you push yourself to be up for sunrise or be out during overcast light at the right time, your images will dramatically improve.
There are so many different styles of light based on the genre of photography that interests you the most that it's impossible to cover here. The point is to prioritize finding good light instead of just snapping photos when it's convenient. I can take sunrise photos on a potato that will likely be more pleasing than if I shot clear blue skies midday with an expensive camera.
Learn what lighting excites you the most for whatever it is you want to shoot and prioritize going out during those times. Editing doesn't have to be complicated, and one of the most important roles of editing isn't the edit itself. It's that it forces you to review your images.
It makes you sit down, go through your mistakes, and critically look at all the work you created. This forces you to decide what image is better than another and why it pleases you more than another. It also gives you the chance to see what you can improve in the field the next time you're out capturing images.
If you just take photos and never look at or touch them again, it will greatly slow down the progress you make in your photography journey. When it comes to editing itself, I recommend grabbing for your phone. It's free (with limited abilities) and handles raws directly on your phone.
There are more powerful phone editing apps that will cost a fee but likely not a subscription. However, I'm recommending Lightroom because it is something you can grow into if you continue to pursue photography. The interface and tools carry over directly to their paid version, thus giving you room to grow within your editing.
That being said, most tools will likely transpose from one app to another, but if you, for example, wanted to learn editing via YouTube videos, then the majority of those will be done within Lightroom. The best way to start learning editing is just to explore what everything does. Adjust some settings, press buttons, and see what you can come up with.
Then once you want to know more about specific tools or ideas, you can start researching and teaching yourself at your own pace what you want to learn. Some people love the process of editing while others don't even want to touch it. That's for you to decide and find out! I hope you enjoyed this, and I'd love to know your own experience or tips in the comments.
I'm going to end this with a few more quick tips to follow when you're shooting phone photography. Alex Armitage has traveled the world to photograph and film some of the most beautiful places it has to offer. No matter the location, perfecting it's presentation to those absent in the moment is always the goal; hopefully to transmute the feeling of being there into a visual medium.
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